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The Bad Robot team had been impressed by the crime thriller Son of a Gun, the auspicious 2014 directorial debut of Australian filmmaker Julius Avery. While script development was still under way, the producers began searching for a director whose dynamic sensibility and flair for action would take Overlord to the next level. At every stage in the process he made Overlord better, which forces everyone else to raise their game as well.”
constantly pushes for things that are unlike anything else out there. “They have great instincts about character, story, and structure, and J.J. and Lindsey were crucial to the film’s initial development,” he says. “The horrors of war are already there in the story, so when you suddenly get thrown into the freakish fantasy material, it actually doesn’t feel like that much of a stretch.”Ĭohen credits Abrams and Bad Robot producer Lindsey Weber with elevating the material.
The intrinsically frightening nature of WWII combat helps smooth the transition, according to Abrams. But at the same time, you don’t want to tip your hand too early about what’s really happening in the story.” The goal was to drop a few breadcrumbs along the way so that the change in genre doesn’t come out of left field. “Billy is a relentless writer and kept pushing to make the script better and better. Perfecting the film’s shift from military adventure to sci-fi horror required going through numerous drafts, says Cohen.
Overlord after effects script movie#
“Not every movie we make has monsters in it, but films like Overlord are best when you believe in the situation, you believe in the characters, and you’re truly invested in their world. The idea with Overlord was to spend the first half of the movie getting to know these young American soldiers, and then, little by little, take the audience into a terrifying genre movie where they care about and love the characters.”Ībrams believes this approach is especially important when dealing with creature features. “One of the things we try to do at Bad Robot is tell stories that are as much about the characters as possible. The secret to creating that balance, says Abrams, can be summed up in one word: character. Overlord felt like the perfect combination of that.”īalancing different tones and genres to create a unique and satisfying hybrid is something Bad Robot specializes in, says Cohen, citing 10 Cloverfield Lane as a prime example. “It’s a great character story and a thrilling World War II movie, but you’ll find humor in there, along with emotion and sentiment, and we always want that blend in our movies. “ Overlord is a natural fit for Bad Robot because of its distinctive fusion of ideas,” says Cohen. The writer’s current projects include the recently wrapped Gemini Man, starring Will Smith and directed by Ang Lee, and an as-yet-unnamed Terminator film to be directed by Tim Miller.
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Ray also created and executive produced (with Christopher Keyser) the Amazon series “The Last Tycoon.” He served four terms on the WGA’s Board of Directors and is currently a member of the Academy’s Board of Governors. He is the writer/director of Shattered Glass, Breach and Secret in Their Eyes. He also co-wrote The Hunger Games and State of Play. Smith (The Revenant) from a story by Billy Ray.īad Robot’s Jon Cohen, who served as executive producer on the film, was equally impressed by the dazzlingly fresh concept from Ray, an award-winning screenwriter and director whose copious writing credits include such blockbusters as Flightplan, The Hunger Games and Captain Phillips.īilly Ray was nominated for an Oscar and won a WGA Award for his Captain Phillips screenplay. Abrams, Overlord is a thrilling, pulse-pounding action adventure with a twist.ĭirected by Australian filmmaker Julius Avery from a screenplay is by Billy Ray (Captain Phillips ) and Mark L. But, in a mysterious Nazi lab beneath the church, the outnumbered G.I.s come face-to-face with enemies unlike any the world has ever seen.įrom producer J.J. Tasked with destroying a radio transmitter atop a fortified church, the desperate soldiers join forces with a young French villager to penetrate the walls and take down the tower. With only hours until D-Day, a team of American paratroopers drop into Nazi-occupied France to carry out a mission that’s crucial to the invasion’s success.
Overlord after effects script full#
It was intense and funny and full of characters and action, and that was just the very beginning of the script.” “The opening sequence in particular reminded me of something that Rod Serling might have come up with. The idea of those two genres coexisting felt like it could make for an incredibly intense and fun ride.”Ībrams says he was gripped by Ray’s story from the first page. “The thing I loved most about the premise was that it took a classic World War II movie and smashed it into a monster horror film.
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